[{"data":1,"prerenderedAt":104},["ShallowReactive",2],{"home-shows-works":3,"news:aesthetics-of-repair":4},true,{"id":5,"slug":6,"title":7,"excerptHtml":8,"date":9,"image":10,"contentHtml":17,"next":18,"previous":19,"seo":22},3789,"aesthetics-of-repair","Work featured in “Aesthetics of Repair”","\u003Cp>In 2019 Eugenia Kisin asked me about my work and listened to my story for a book that she was writing. That book has now been published—Aesthetics of Repair: Indigenous Art and the Form of Reconciliation, by University of Toronto Press, 2024. My work is Good Delivery, 2011–14 is mentioned on page 140, in the \u003C\u002Fp>\n","2024-08-02T12:43:42",{"src":11,"srcset":12,"width":13,"height":14,"alt":15,"lqip":16},"https:\u002F\u002Fcms.russellgordon.com\u002Fwp-content\u002Fuploads\u002F20240902_Aesthetics_of_Repair.jpg","https:\u002F\u002Fcms.russellgordon.com\u002Fwp-content\u002Fuploads\u002F20240902_Aesthetics_of_Repair-768x428.jpg 768w, https:\u002F\u002Fcms.russellgordon.com\u002Fwp-content\u002Fuploads\u002F20240902_Aesthetics_of_Repair-1536x857.jpg 1536w, https:\u002F\u002Fcms.russellgordon.com\u002Fwp-content\u002Fuploads\u002F20240902_Aesthetics_of_Repair-2048x1142.jpg 2048w, https:\u002F\u002Fcms.russellgordon.com\u002Fwp-content\u002Fuploads\u002F20240902_Aesthetics_of_Repair.jpg 2560w",2560,1428,"","data:image\u002Fwebp;base64,UklGRswAAABXRUJQVlA4IMAAAADwBACdASogABIAPu1kqk2ppaQiMAgBMB2JYwDE2Bii5cLwnwvDgUZDOPnw84LPcgAA\u002FvOB\u002F1lhLNrdauqe+dvgwfUi3SgyzftVsKaU3vhrLTRZOxVL6N5KOk8hSb\u002FJvTEcLc6ZBLKqdAPpLt4sNvYg1afjmYQWI23OjdG4+saSrphZE7zirjHxi7AOjzSlEpnsR3LB01jGNTrOr0LIs9\u002Fh6F\u002FfZf748oKI\u002F\u002FAXUetnA5VbLyoS+TRL+Nmo0iAAAAA=","\n\u003Cp>In 2019 Eugenia Kisin asked me about my work and listened to my story for a book that she was writing.\u003C\u002Fp>\n\n\n\n\u003Cp>That book has now been published—\u003Cem>Aesthetics of Repair: Indigenous Art and the Form of Reconciliation\u003C\u002Fem>, by University of Toronto Press, 2024.\u003C\u002Fp>\n\n\n\n\u003Cp>My work is \u003Cem>Good Delivery\u003C\u002Fem>, 2011–14 is mentioned on page 140, in the chapter entitled “Copper and the Conduit of Shame: Beau Dick’s Performance\u002F Art”.\u003C\u002Fp>\n\n\n\n\u003Cp>From what I’ve read, the book shares stories and contexts to position artwork and giving as forms of repair. A good read so far!\u003C\u002Fp>\n\n\n\n\u003Cp>\u003C\u002Fp>\n",null,{"slug":20,"title":21},"hemlock-micro-residency-on-salt-spring-island","Hemlock Micro Residency on Salt Spring Island",{"title":23,"robots":24,"og_locale":30,"og_type":31,"og_title":23,"og_description":32,"og_url":33,"og_site_name":34,"article_published_time":35,"article_modified_time":36,"og_image":37,"author":34,"twitter_card":40,"twitter_misc":41,"schema":43},"Work featured in \"Aesthetics of Repair\" — Russell Gordon",{"index":25,"follow":26,"max-snippet":27,"max-image-preview":28,"max-video-preview":29},"noindex","follow","max-snippet:-1","max-image-preview:large","max-video-preview:-1","en_US","article","In 2019 Eugenia Kisin asked me about my work and listened to my story for a book that she was writing. That book has now been published—Aesthetics of Repair: Indigenous Art and the Form of Reconciliation, by University of Toronto Press, 2024. 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